You might be surprised by the poor performance of some DAWs!įor these reasons, my conclusion is that for most people and most applications, 44.1 kHz is the best sample rate to go for. It allows you to inspect how well your DAW handles resampling from a higher sample rate (96 kHz) down to 44.1 kHz. I also suggest you check this page on the Infinite Wave website. But the theory behind digital audio is no different when talking about music production. The article approaches the question from the point of view of music downloads.
I am referring you to this article by Monty at.
LOGIC X PRO SHOW SAMPLERATE PROFESSIONAL
A 32-bit floating point bit depth can have some advantages for professional applications, but the files take up 50% more space compared to 24-bit audio. This ensures a better dynamic range (the difference between quiet and loud parts o the audio) and better precision when editing. For professional use (recording, mixing, mastering or professional video editing) a bit depth of 24 bits is better. What Bit Depth Should I Use?įor consumer/end-user applications, a bit depth of 16 bits is perfectly fine. Using higher sample rates can have disadvantages and should only be considered in professional applications. Higher sample rates can have advantages for professional music and audio production work, but many professionals work at 44.1 kHz.
48 kHz is common when creating music or other audio for video.
The sample rate and bit depth you should use depend on the application.įor most music applications, 44.1 kHz is the best sample rate to go for.
LOGIC X PRO SHOW SAMPLERATE HOW TO
In this tutorial, we’ll show you how to setup Apogee Symphony I/O Mk II Thunderbolt with Logic Pro X.